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Showing posts from July, 2026

Seurat "Bathers" structural model

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  The field of mathematics deals with numbers and logic. Where does this a priori capacity come from? It relies on the ability to perceive the integral properties of shapes. This implies that a visual grammar is formed first, and that both the plastic arts and mathematics depend upon it.   While Cézanne’s use of visual grammar was likely a priori, to what extent did Seurat—who had undergone academic training—employ techniques derived from his education? Seurat "Bathers "and the study circle-cross model Here is a table showing the degree of stylization. The model has reached version 6. It features a structure in which intersections are arranged along a (line)circle.   As for studies of the “model,” the work has reached the stage of the eighth stage. While Seurat is acclaimed as the inventor of Pointillism, as a visual artist he employs techniques comparable to those of Cézanne. You keep the works you love close at hand, wanting to view them again and again. Enthusiasts...

The universal grammar: Seurat and Raphael used the same compositional device

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  In the digital age, works of art are digital images. You cannot understand the art simply by viewing the actual *Girl with a Pearl Earring* , which is currently shown in Japan very popularly, a few times. It is just like music, where repeatedly experiencing recorded performances is essential. Art education is ineffective; instead of teaching how to draw, we should teach how to see. One must first become an art lover. In the age of AI, mastering technical skills has become meaningless. Commercial exhibitions at art museums have failed to keep pace with the digital age; digital images should be made accessible to everyone online. This work, housed at the Musée Condé in Chantilly, France, can now be viewed online. Seurat "Model" Although some contours are not clear, all the outlines must have been drawn geometrically.