Hokusai's(Shunro's) ``Shinipan Odorie zukushi'' uses the same technique as the full-body portraits of the late Sharaku period

 There is a why Sharaku’s large face portraits(0kuubie) are highly regarded.  

When

 the face is drawn large, the depiction of facial expressions is emphasized.

Ordinary individuals are led to believe that facial expressions constitute essence of art

From this perspective, Shaku's later works are often overlooked as being less expressive.

When viewed as a whole the entirety of Sharaku's is consistent.

The arc-circle models demonstrate that all 145 works by Sharaku possess a distinctive structure

Shunro's "Shinpan Odori-e zukushi'' prepares Snaraku"s whole figure portraits.

Shunro "Shinpan Odori-e zukushi'' 



arc-large circle model
arc-large circle model

They have very similar device as Saraku's "Rokudaime"
Saraku' "Rokudaime"

The largest circles, are extensions of the slow-cur arcs, form the basic structure. The arc circle models illustrate why each work appears unique.

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