Cezanne's still life can be made of units what modern artists learned from Cezanne grammatically

If we consider the smallest unit of a work of art to be a line segment, 

then

not only the human body, but also the structural models of still life can be created in the same way.

 Motifs can be the starting point for conceiving new networks.

Still life is easier to compose than landscapes.

Picasso and Matisse noticed Cézanne's game-like compositional method.

 

Cezanne "Still life"
 

arc model

Using limited number of circles for the arcs ,
harmonious effect is produced.

The arcs can be extended to circles, which make the composition balanced.

arc circle-cross model

There is another still life with very attractive half circle. 

Cezanne "Still life with pomegranate and pears"


arc model

circle cross  model

The half circle of the pot correspond to the parts 0f the dish. 

Picasso "Still life" 1908

According to the internet, this painting is classified as:

Subject and objects: Still life

Style of art: Cubism

This painting, with its volume, shading, and inherent colors, is classified as being in the Cubist style.

Many different styles are considered Cubism.

Art history is incomprehensible without knowledge of art.

In the digital age, art history should be ignored, and works should be classified by their individual structure.

You don't need knowledge to simply look at the form.



arc model

This model is made of five circles.
Most of structure is constructed with two circles: blue and orange circles.


arc circle-cross model

This piece has volume and shading, and its design is not yet fully developed.

Cezanne's method shows the process of drawing technique very well.


Let's try making this using units on top of a coarse network.



The apple, except for the arcs of the top of the apple and bottom of the container, can be drawn on a coarse grid. 

This can be called almost perfect design.

 


Let's take a look at Matisse's experimental work.




Mondrian also developed the design process, even going so far as to create a grid pattern model.



To determine the thickness of the grid, the grid pattern is further subdivided.

 


Modern art has almost reached the level of pure art since Picasso,

 but ordinary people seek the meaning of motifs, 

and self-proclaimed critics invent new terms, resulting in a chaotic situation.

Artistic terminology should correspond to the structure of form.

If one learns how to see form as an art enthusiast, 

and if all works can be compared as digital images on the internet, 

a unifying theory of art will easily emerge.

 


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